References:
Bruno Latour and Hans Ulrich Obrist: Video interview in Paris 9.1.2016, modesofexistence.org (2017) (
retrieved in May 2020 )
Antonia Wunderlich: Der Philosoph im Museum. Die Ausstellung »Les Immatériaux« von Jean François Lyotard, transcript (2008)
Yuk Hui, Andreas Broeckmann (eds.): 30 Years after Les Immatériaux: Art, Science and Theory, Lüneburg: Meson Press, (2015)
Daniel Birnbaum and Sven-Olov Wallenstein: Spacing Philosophy: Lyotard and the Idea of the Exhibition, Sternberg Press (2019)
Jorinde Seidel: The Exhibition as Emulator, commissioned by Stroom hcbk, The Hague, for the ’InfoArcadia’ exhibition (2000); trans. James Boekbinder, Mediamatic, vol. 10, no. 1 (Fall 1999)
Brenda Laurel, S. Joy Mountford (eds.): The Art of Human-Computer Interface Design, Addison-Wesley Longman Publishing Co., Inc. (1990)
Matthew Fuller: Immersion, Saturation, Ingestion. DRHA2019 Radical Immersions:Navigating between virtual/physical environments and information bubbles (2019)
Wiebke Gronemeyer: The Curatorial Complex: Social Dimensions of Knowledge Production. Wilhelm Fink, Paderborn (2018)
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Karen Barad: Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press (2007)
Donna Jeanne Haraway, Nikolaus G Schneider, Museum Fridericianum Veranstaltungs GmbH, Documenta GmbH: Donna Haraway : SF: speculative fabulation und string figures = SF: spekulative Fabulation und String-Figuren. Ostfildern : Hatje Cantz Verlag (2011)
Andreas Brockman: Les Immatériaux Research. les-immateriaux.net (
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Media sources:
Les Immatériaux. Montage de l’exposition. Photographe : Jean-Claude Planchet. © Bibliothèque Kandinsky, MNAM/CCI, Centre Pompidou – Dist. RMN-Grand Palais (retrieved in May 2020)
Les Immatériaux. Vues de salles. Photographe : Jean-Claude Planchet. © Bibliothèque Kandinsky, MNAM/CCI, Centre Pompidou – Dist. RMN-Grand Palais (retrieved in May 2020)
Les immatériaux, trente ans après. Thought and Debate, 27 November 2015, Petite Salle – Centre Pompidou, Paris. Record of an event. © Centre Pompidou 2015 (retrieved in May 2020)
Les immatériaux. Petit journal (Audience Guide). Centre Pompidou, Paris (1985) p 17 (retrieved in May 2020)
Les immatériaux. Catalogue, Vol. 1: Épreuves d’écriture. Centre Pompidou, Paris (1985) (retrieved in May 2020)
Les immatériaux. Catalogue, Vol. 2: Album et Inventaire. Centre Pompidou, Paris (1985) (retrieved in May 2020)
Les immatériaux. Immaterials: Route: Zones & Sites. Centre Pompidou, Paris (1985) (retrieved in May 2020)
Iconoclash. Exhibition views. Photos: ONUK. 2002 © ZKM | Center for Art and Media
Manfred Wolf Plottegg: Iconoclash: Beyond the image war in science, religion and art. (Architectural model) Karlsruhe (2001) © ZKM | Center for Art and Media
Bruno Latour and Peter Weibel (Eds.): Iconoclash. Beyond the image war in science, religion and art. MIT Press, Cambridge, Massachusetts (2002)
Iconoclash. Jenseits der Bilderkriege in Wissenschaft, Religion und Kunst. (Exhibition booklet). ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe (2002)
Annegret Soltau, Schwanger (Pregnant), 1977–82. © Annegret Soltau
Arata Isozaki: Electric Labyrinth, 1968. Photo © ZKM | Center for Art and Media
Achim Mohné: Fireflies @ ZKM Karlsruhe. 2002. © ZKM | Center for Art and Media (29s from 0:02:03)
Nam June Paik: TV Budha, 1974/2002 © Nam June Paik
Beyond Matter – Immaterial Display (Banner) © AKU Collective
Net art section, Documenta X, Documenta-Halle, Kassel (1997) Photo © Joachim Blank (retrieved in May 2020)
Net art section, Documenta X, Documenta-Halle, Kassel, 1997. (retrieved in May 2020)
Net art section, Documenta X, Documenta-Halle, Kassel, 1997. (retrieved in May 2020)
Ryan Gander: I Need Some Meaning I Can Memorise (The Invisible Pull). dOCUMENTA (13), 2012. Photo © Rosa Maria Ruhling (retrieved in May 2020)
Ryan Gander: I Need Some Meaning I Can Memorise (The Invisible Pull). dOCUMENTA (13), 2012. Photo © humanscribbles.blogspot.com (retrieved in May 2020 )
Ryan Gander’s installation, 2012. © Gelguda. YouTube Video. (retrieved in May 2020)
teamLab: Borderless. Universe of Water Particles on a Rock Hill where People Gather. MORI Building, Digital Art Museum, Tokyo. (2018) © teamLab. Video (retrieved in May 2020)
Hans Hollein: Architekturpille, Non-physical environment, (1967) © Hans Hollein
The video is to be used solely in non-commercial, academic and research environments.
Video editing and archival source research by Cvijeta Miljak.